NEWS
Christmas at Lake Constance from Constance Cathedral
EuroArts/SWR
Recording Anna Lapwood (organ) at the Elbphilharmonie Hamburg
Sounding images / Arte
PROFILE
Berlin-based author and director Beatrix Conrad is always in demand when it comes to realising classical music in sound and vision. She has already worked with well-known artists such as Rolando Villazón, Diana Damrau, Jonas Kaufmann, Lang Lang, Mischa Maisky, Cameron Carpenter, Gautier Capuçon and Fatma Said for the TV channels ARTE, ZDF, 3sat and ARD. Whether live streams or recordings of concerts, operas and ballets, whether documentaries or video productions, the results bear witness to the highest level of expertise and professionalism.
INSIGHTS
The visionary Claudio Abbado
Broadcaster: SFR / SWR
Producer: EuroArts
Germany - Italy 2023/24
ABBA meets Rameau
Broadcaster: 3Sat/ZDF
Producer: Salve TV
Germany 2024
Introduction to the opera of Richard Strauss
Broadcaster: Arte/SWR
Producer: EuroArts
Germany 2024
Client: Deutsche Grammophon
Producer: Boris Fromageot
Germany 2024
Felix Klieser and the Bournemouth Symphony Orchestra
Producer: sounding images
Germany: 2022
STATEMENTS
"Bea is a gift for producers. Precise, calm and extremely strong in terms of communication, she manages even the most demanding situations - whether on large, team-heavy concert recording productions or in smaller documentary contexts. You just know: it works!"
Maria Willer (3B Produktion)
"It has been an enrichment and a great pleasure for us to work with such an experienced and accomplished director for 15 years. Whether it's a documentary or a concert recording, Beatrix Conrad stands for outstanding quality, never loses her cool even in difficult situations and is extremely pleasant to deal with on a personal level."
Claus Wischmann (sounding images)
"Bea is a versatile director who has worked for us both in the documentary film sector and as a concert director.
It's always a pleasure to work with her.
There are few directors who work so precisely, imaginatively and enthusiastically while keeping an eye on the economic framework of the production."
Jan Bremme (EuroArts)